You can even use it to subtly lift a master to go from great to magnificent. Its broad curve is super-musical, and placed just right for adding air and shine to vocals, drums, or percussion, without overaccentuating edgy fundamentals.

It’s fixed at 8 kHz, offers boost only and is just as sweet and silky as its siblings. Lastly, the RS135 was created to fill in the frequency gap that the RS127 units left out. The Abbey Road Collection includes plugin models of the studios’ famed REDD and TG12345 consoles, as well as RS56 Passive EQ (‘the Curve Bender’), J37 Tape, Reel ADT, the King’s Microphones, Abbey Roads echo chambers and reverb plates, and the one-of-a-kind Vinyl plugin which models Abbey Road’s vinyl cutting and playback gear.The frequencies got shifted a bit higher, which of course also holds true for the plug-in model. The same circuit was used as in the original RS127, but with the addition of an audio transformer. The engineers quickly discovered that the transformer dramatically altered the sound character and the operating frequencies of the RS127.

When more units were needed in the studio, the portable green RS127 Box was built.

Indispensable for balancing cymbals, or bringing aggression to a lead guitar, especially heading into the beefy glue of tape.

The grey RS127 Rack is the original Abbey Road Studios treble equalizer. It offers a boost or cut of up to 10 dB at 2.1, 3.5, or 10 kHz (or kilocycles per second as they used to be known). Developed in collaboration with Abbey Road Studios Precise emulation of analogue.

Have a listen Abbey Road Studios Brilliance Pack What’s included?

With the Brilliance Pack, today’s DAW-based mix engineers can add all the air and sparkle they want, without the slightest trace of harshness – just like the world’s top engineers at Abbey Road Studios, London, have done on their recordings from the 1960s onwards.

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